The endless waste
Once, this planet teemed with life. It doesn't do that, anymore. The ground is dry and cracked and occasionally broken up by charred remains of trees. There are no birds, no bugs, no living plants - nothing but an empty, endless waste.
With one exception.
But the world is so very big, and the exception so very small. If someone showed up away from it, they could be quite forgiven for thinking this world is completely dead.
with Sable (Kappa)
with Aisilian (Link)
with Grendyne (Rockeye)
with Temple (Curiousdiscoverer)
With one exception.
But the world is so very big, and the exception so very small. If someone showed up away from it, they could be quite forgiven for thinking this world is completely dead.
with Sable (Kappa)
with Aisilian (Link)
with Grendyne (Rockeye)
with Temple (Curiousdiscoverer)
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Apparently all of the chalk can pull from other chalk, gold's just notable because it's lossless. She explains some more details of exactly what she's doing for the ritual, and upon running out of jargon that will make sense to Grendyne, she somewhat wryly offers to let Grendyne try just draining a single item through chalk just to get a feel for how it works, not to do anything at all.
Then she recalls that Grendyne probably needs a demonstration first. Would she like one? The ritual is ready, anyway.
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She sets down a bowl of what looks to be water on the golden chalk, and - definitely does something. It starts as reaching out and pulling on all of the assorted items, and then she keeps pulling, down and down and down the chalk...
It requires some micromanagement, but not as much as one might expect. Once she starts the pull something like momentum helps keep whatever it is going, and she adjusts based on various factors that Grendyne's not quite privy to. And soon enough it's all pulled into the gold chalk, still moving even when it's all in the same place, and she carefully combines them in an inscrutable order and then shoves that into the what-looks-to-be-water.
The what-looks-to-be-water turns milky white and sort of shimmery.
"Done," pronounces Saevetei. "Though I expect you'll get more out of it if you do it yourself."
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She draws out a simple line of chalk, long and straight, and picks a flower to leave at the end of it.
"There you are. I can offer instruction if it'll help, but you do the - copy thing, so."
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...She manages that incredibly simple application of ritual chalk with aplomb. "Yeah, that'll be tricky when I have to juggle a couple dozen streams of it. It'll be something to practice in between the other stuff."
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"Making the weave's template form a specific shape is harder than just a blob of material, but in practice it tends to be easier than some of the more difficult materials, because the difficult materials get very very difficult, and if you just want whatever you're making to be in, say, the shape of a bed, there is nothing stopping you from using a material that is fairly easy to copy with prototype threads."
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And then she explains as she draws! It is highly technical and involves lots of specialized equipment and looking for more than just the essence that makes up the object; she mentions something about carbon and the structure of it making the difference between diamonds and graphite, by way of example. She actually rattles off how to make copper from memory alone, mentioning that it's a good starter weave to make to get a feel for how the concept works. She rattles off material weaves that she's invented; apparently the attunement stone is one of them, traditionally there is another procedure for making one, but she found this so annoying and objectionable she figured out how to do it with an essence weave instead.
The ritual she's drawing is much more complicated than the last. There are lots of colors of chalk involved, and several times she trails off mid-sentence to check something, or mutter to herself about something and then erase a bit of chalk and redraw it.
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And then, because Gren is interested, she explains how essence weaves can be used to make plants that will grow a substance that can be easily refined into whatever material the weave is made of. This is quite terrible for getting the shape of an object correct, but for materials... You can grow infinite amounts, with space and water and sunlight.
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