sturdycoldsteel (
sturdycoldsteel) wrote in
glowfic2016-01-31 01:59 pm
Entry tags:
stones and sticks
Sometimes she just has to get away from the city. Kell and Durant are very firmly on top, and don't much care who they squish anymore. All the little ways they change the city to benefit themselves grate on her nerves. And she knows her strengths lie in magic and engineering, not politics, so when she gets in this kind of mood the only thing for it is to leave for a while.
She's exploring the wilderness near the Western Peaks. Solid stone mountains, sheer cliffs, snow. Harsh but beautiful landscape. One day she wanders into a little valley nestled between two ridges. It would have been hard to find if she was actually looking for it. Near the center is an ancient stone circle of some kind. It reminds her of the bluestream-activating circles, but the pattern of stones is unfamiliar and the bluestream that used to lie there is of course long gone.
She rebalances her backpack (good exercise, lifting a pack without the stream) and starts investigating the stones and ground for writing or inscriptions. She steps into the circle to look on the other side of a stone-
Wait. What. WHERE AM I?
She's exploring the wilderness near the Western Peaks. Solid stone mountains, sheer cliffs, snow. Harsh but beautiful landscape. One day she wanders into a little valley nestled between two ridges. It would have been hard to find if she was actually looking for it. Near the center is an ancient stone circle of some kind. It reminds her of the bluestream-activating circles, but the pattern of stones is unfamiliar and the bluestream that used to lie there is of course long gone.
She rebalances her backpack (good exercise, lifting a pack without the stream) and starts investigating the stones and ground for writing or inscriptions. She steps into the circle to look on the other side of a stone-
Wait. What. WHERE AM I?

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To her left, the sun sits low on the horizon over a sea or lake whose shore is a mere few minutes' walk away down a gradual slope; to her right, the slope continues upward, getting steeper and steeper until it crests in a tall ridge. Here and there, the weathered stump of a dead tree juts from the dry ground.
There is a faint breeze coming off the water; it smells fresh.
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There, just past the far end of the ridge: non-nothing. Whatever it is, the effect it produces moves in a slow regular pattern that fades out gradually until at a distance of about twenty feet it's impossible to differentiate from the surrounding nothingness.
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How's the temperature? She'll probably need to take off her heavy winter coat and pants, at the very least.
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The water is fresh and smells pleasant.
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She strips off most of her clothes before proceeding further, leaving only a light shirt and pants in addition to her backpack. These get folded up and stuffed into/tied on the already heavy pack.
Now it's time to look for the source of that disturbance in the empty stream. She walks toward it. She walks most of the way, but once near the ridge she spends the effort to make a small area flyable rather than try to climb it.
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All the bluestream activity is coming from the box.
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Inside the box:
Four large books of approximately similar dimensions are strapped to the lid, three titled in an unfamiliar language, one with no title but an abstract illustration on the cover.
The interior of the box is divided into thirds. One third contains a bunch of fist-sized glass spheres (or something resembling glass, anyway) strapped into place in individual leather holders, each sphere a different colour. The next third contains a cylindrical case made of something resembling wood or bamboo, secured to the side of the box, and a stack of round, perfectly flat metal plates secured against the back; the rest of that section is just empty space. The final third contains a burlap sack with an assortment of seeds spilling out of it.
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What part of the box is the bluestream disturbance originating from?
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Moving the sack of seeds reveals a pair of heavy leather gloves wrapped around a small glass bottle. The pale blue liquid in the bottle generates a much stronger bluestream disturbance than the spheres.
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The fourth book consists almost entirely of a series of entries in a standard format: an abstract circular diagram drawn in coloured inks, accompanied by a legend labelling each colour in the diagram, and followed by several paragraphs of text. Each entry has its own equally indecipherable title. At the back of the book, there is a lengthy chart with numbered entries corresponding to many of the labels from those legends.
The ink colours in the circular diagrams correspond closely to the colours of the glasslike spheres.
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She starts trying to figure out the number system, but then realizes it's actually quite close to sunset. Is there anything that might make good shelter around or is she sleeping in her tent?
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After setting up the tent near that box of stuff she can use bluestream to make light and finish writing out this language's number system. Then she eats from her food supply and sleeps. Hopefully nothing attacks her in the night.
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She wakes up at dawn. She almost wants to try one of those 'recipes' but with no idea what the result would be, the steps involved in 'cooking' or even how to get more ingredients, that would be reckless.
She makes a copy of the chart of kinds of colored glass magic things, ready to fill it in with her own language, and starts trying to piece together how this stuff might work from the charts and pictures in other three books.
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That book goes on to recommend particular brushes for drawing particular types of line in the recipe-diagrams, or at least that's what it looks like it's doing.
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You know what, that bottle of something wrapped in gloves in a bag of seeds, it's probably the result of one of these recipes. Might it be a gardening tool? She carefully extracts a single drop (telekinetically) and plops it on an open spot of ground.
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...Also the bluestream goes a little insane. The blue liquid just sitting in its bottle makes a constant pattern that fades at a distance; the blue liquid reacting with a small amount of water makes an amplified and distorted version of that same pattern; and the resulting liquid soaking into the sand makes a new, more chaotic pattern even more 'loudly' than the previous one.
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