The endless waste
Once, this planet teemed with life. It doesn't do that, anymore. The ground is dry and cracked and occasionally broken up by charred remains of trees. There are no birds, no bugs, no living plants - nothing but an empty, endless waste.
With one exception.
But the world is so very big, and the exception so very small. If someone showed up away from it, they could be quite forgiven for thinking this world is completely dead.
with Sable (Kappa)
with Aisilian (Link)
with Grendyne (Rockeye)
with Temple (Curiousdiscoverer)
With one exception.
But the world is so very big, and the exception so very small. If someone showed up away from it, they could be quite forgiven for thinking this world is completely dead.
with Sable (Kappa)
with Aisilian (Link)
with Grendyne (Rockeye)
with Temple (Curiousdiscoverer)
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Watching her technique is interesting. She's methodical, but instead of only doing one timed section at a time, she juggles two (and at one point, three) at once. The reason for this becomes apparent as she finishes - it gives her a bit more time to complete a very tricky section at the end.
And then she has a deceptively ordinary looking purple gemstone. It's pretty, but doesn't look very magical.
"Filling it is actually a completely different sort of thing than making it," she says, offering Grendyne the gem for inspection. "And I'll show you that thing with something simpler before we touch charging this. It took me years to get charging an attunement stone right, though, I warn you. It's okay if you hand it off to me to do."
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"Starting with something simple sounds better, yes. The ability to sense what's going on and practice at shaping magic, albeit a different sort, only goes so far. Will charging it incorrectly ruin the stone?"
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She gets it wrong again. It's not like she doesn't have essence to spare on all this trial-and-error, though. And after a half-dozen more tries, she produces an acceptable result. Hurray!
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She flips through her book to the correct page, reads the instructions, and then goes and retrieves other items she'll apparently need. A few of them were made by Grendyne, but others, like a little case filled with various colors of magical chalk, were not. She's just about gathered everything up when Grendyne successfully makes the gem.
"Congratulations!" she says sincerely.
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"Right, so - this - version of magic, I suppose, is based around leading essence from reasonably ordinary objects down certain chalk paths to refine them into what I need them to be. I can't just pick anything, the object has to have some relevant kind of essence. I gathered things for an easy demonstration, and the thing I'm making we'll need for connecting you to the dream world anyway. So. I thought it'd be smart to do it all at once."
She kneels down and starts drawing with a white chalk, only occasionally checking the book. It looks like a pretty simple design.
"So this is really, really easy, for a ritual circle. There isn't a lot of refining necessary, just pulling out what I need from various things I'll be using." She motions to a modest stack of apparent ingredients. It mostly seems to be plants, but there is a clear glass lens and a pouch filled with something. "The different colors of chalk do different things - some of them are naturally the colors they turn out to be, others are color coded to keep it from being confusing. White chalk doesn't do much of anything, except move things." Draw draw draw. The lines don't look random, but there's not an obvious pattern to them. "But even when it just moves things, some essence is lost. The longer the chalk line, the more that is lost. This is what's supposed to happen, because you're trying to get it to a certain power level and type."
More drawing! The chalk is sort of all flowing towards a central place. Saevetei has started having some chalk lines combine - others purposefully meander. She doesn't connect all of them, though. Some are purposefully separate.
"Golden chalk," she explains, once she's apparently done drawing in white, "is - not quite like the other types of chalk. For one, it doesn't lose essence that travels along it, and it doesn't change it at all. For another, it steals from nearby chalk lines. It doesn't need to touch the chalk line, actually, it just needs to be within a certain distance. And that distance changes depending on which type of chalk you're using. Because of this, it's almost completely useless in the actual refinement part of the ritual - in some complicated ones it crops up in tandem with how different chalks have different stealing distances, but that's very very advanced. It's used in the attunement ritual."
She draws in golden chalk, at the center of the... thing.
"But, it is incredibly useful for the final parts of most rituals. It'll just grab everything you funnel into it without losing anything, and from there you finish off the rest of the ritual. Make sense?"
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Apparently all of the chalk can pull from other chalk, gold's just notable because it's lossless. She explains some more details of exactly what she's doing for the ritual, and upon running out of jargon that will make sense to Grendyne, she somewhat wryly offers to let Grendyne try just draining a single item through chalk just to get a feel for how it works, not to do anything at all.
Then she recalls that Grendyne probably needs a demonstration first. Would she like one? The ritual is ready, anyway.
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She sets down a bowl of what looks to be water on the golden chalk, and - definitely does something. It starts as reaching out and pulling on all of the assorted items, and then she keeps pulling, down and down and down the chalk...
It requires some micromanagement, but not as much as one might expect. Once she starts the pull something like momentum helps keep whatever it is going, and she adjusts based on various factors that Grendyne's not quite privy to. And soon enough it's all pulled into the gold chalk, still moving even when it's all in the same place, and she carefully combines them in an inscrutable order and then shoves that into the what-looks-to-be-water.
The what-looks-to-be-water turns milky white and sort of shimmery.
"Done," pronounces Saevetei. "Though I expect you'll get more out of it if you do it yourself."
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She draws out a simple line of chalk, long and straight, and picks a flower to leave at the end of it.
"There you are. I can offer instruction if it'll help, but you do the - copy thing, so."
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...She manages that incredibly simple application of ritual chalk with aplomb. "Yeah, that'll be tricky when I have to juggle a couple dozen streams of it. It'll be something to practice in between the other stuff."
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